Earlier this week I shared the photos of Amanda Palmer's epic crowd surfing moment and I'm back with the rest of the pictures from the NYC show at Webster Hall! You can check them all out on Flickr, but here are a few of my favorites.
The show was a perfect amalgamation of everything I've ever seen AFP do. It had some Cabaret flair and a similar entrance to the acoustic show we saw at Momenta Gallery for the Kickstarter art package. There were moments of both deafening, screaming sounds and quiet words spoken gently. The lighting was excellent and each song had it's own mood and color palette. Almost everything on stage was white. Costumes, props and sets were still slightly DIY, while feeling just a little richer and more produced. Screens onstage showed pictures that audience members had submitted or video close-ups of hands playing instruments. Amanda had four variations in her costumes and I loved how she was just basically striping off her clothes as the show went on to reveal different looks. The piece that she put on, rather than take off, was the custom made jacket by Kambriel for the Bottomfeeder crowd surf. It had an amazingly long train made out of three different colors of chiffon. Just look at how it's like a giant bubble skirt flowing behind her on the sea of people. Brilliant.
So, as you've heard me say already a hundred times: go SEE the show and GET the record. You can pay what you want for it, nothing if you are broke, or up to $20 if you want to support the effort. It's amazing, inspiring stuff. What Amanda Palmer is doing to the business of music is nothing short of revolutionary. She's changing the game, right in front of our eyes. It's upsetting to some and thrilling for others. This week she was at opposite ends of the spectrum, pissing off professional musicians and thier unions everywhere by asking for volunteers to play her shows and at the same time, crashing into the Billboard 200 music chart yesterday at NUMBER TEN. (Ukuleles rained down on the world when that happened and today Amanda and team have decided to pay all musicians on tour with them by pulling money from video budgets. I applaud her for this, it's the right thing to do.) I don't think there has ever been, in the history of music, a crowd funded, independent record in the top ten. It's really remarkable. She's a perfect example of doing it yourself, without corporate sponsorship, thinking on your feet and adapting to a changing landscape. You can stay in control of your music/art career, produce material on your own, and be successful doing it. It CAN be done. It's not easy of course, you have to build an audience authentically and organically and create something that people actually want, but it CAN be done. What's really exciting is that this model is true for pretty much any artist, be it musician, writer, painter, illustrator, inventor, etc. Creative people need to pay attention to what she is doing, what she is saying and what she believes in because it really can be the future of everything. WE ARE THE MEDIA. You and me.